Mair, Kimberly
Faculty
- Phone
- (403) 332-5284
- kimberly.mair@uleth.ca
About Me
I teach social theory, digital culture, and about the contradictions implicit in orientations of care.
My scholarship is concerned with social theory, communication, and aesthetics (the senses). I am primarily interested in implicit forms of communication that cannot be attributed to what might be presumed to be the intentional and direct acts of individuals or solely human subjects. Instead, I am interested in relational and sensorial modes of communication that are enacted between human and non-human entities in built environments, artistic formations, and forms of collective instruction, as well as how the conventions of movement, speech, and writing are implicated.
My archival research on urban guerrilla movements in the former West Germany provided the basis for my forthcoming book Guerrilla Aesthetics: Art, Memory, and the West German Urban Guerrilla, which emphasizes the sensorial rather than rational aspects of guerrilla communications of the Red Army Faction, 2nd of June Movement, and the Socialist Patients' Collective. Much of the book traces the cultural and artistic responses to these movements and the period of struggle between the state and guerrillas.
I recently completed a SSHRC Insight Development Grant funded archival research project that resulted in a book, The Biopolitics of Care in Second World War Britain. During the crisis of the Second World War in Britain, official Air Raid Precautions made the management of daily life a moral obligation of civil defence by introducing new prescriptions for the care of homes, animals, and persons displaced through evacuation. Government publicity campaigns communicated new instructions for care formally, while the circulation of wartime rumours negotiated these instructions informally. Rumours that explicitly repudiated the improper socialization of evacuees also produced a salient, but contested, image of the host as a good wartime citizen who was impervious to the cultural invasion of the ostensibly "animalistic," dirty, and destructive house guest. Simultaneously, explicit contestations over the value of the lives of pets, conceived as animals who do not work, placed attention on the animal caregiver whose use of limited provisions or personal sacrifice could be judged. Together, formal and informal instructions for caregiving reshaped everyday habits during wartime against a projected image of the good citizen committed to the war and nation. Meanwhile, Mass Observation was there, enacting a watchful form of care by surveilling civilian feeling and habit. This book examines how the Mass Observation movement recorded and shaped the logics of care that became central to the daily routines and discourses of civil defence in homes and neighbourhoods. Mass Observation often reversed the direction of the imperative logics that organized civil defence, asking those who occupied positions of power to do what it asked of civilians on the home front.
My scholarship is concerned with social theory, communication, and aesthetics (the senses). I am primarily interested in implicit forms of communication that cannot be attributed to what might be presumed to be the intentional and direct acts of individuals or solely human subjects. Instead, I am interested in relational and sensorial modes of communication that are enacted between human and non-human entities in built environments, artistic formations, and forms of collective instruction, as well as how the conventions of movement, speech, and writing are implicated.
My archival research on urban guerrilla movements in the former West Germany provided the basis for my forthcoming book Guerrilla Aesthetics: Art, Memory, and the West German Urban Guerrilla, which emphasizes the sensorial rather than rational aspects of guerrilla communications of the Red Army Faction, 2nd of June Movement, and the Socialist Patients' Collective. Much of the book traces the cultural and artistic responses to these movements and the period of struggle between the state and guerrillas.
I recently completed a SSHRC Insight Development Grant funded archival research project that resulted in a book, The Biopolitics of Care in Second World War Britain. During the crisis of the Second World War in Britain, official Air Raid Precautions made the management of daily life a moral obligation of civil defence by introducing new prescriptions for the care of homes, animals, and persons displaced through evacuation. Government publicity campaigns communicated new instructions for care formally, while the circulation of wartime rumours negotiated these instructions informally. Rumours that explicitly repudiated the improper socialization of evacuees also produced a salient, but contested, image of the host as a good wartime citizen who was impervious to the cultural invasion of the ostensibly "animalistic," dirty, and destructive house guest. Simultaneously, explicit contestations over the value of the lives of pets, conceived as animals who do not work, placed attention on the animal caregiver whose use of limited provisions or personal sacrifice could be judged. Together, formal and informal instructions for caregiving reshaped everyday habits during wartime against a projected image of the good citizen committed to the war and nation. Meanwhile, Mass Observation was there, enacting a watchful form of care by surveilling civilian feeling and habit. This book examines how the Mass Observation movement recorded and shaped the logics of care that became central to the daily routines and discourses of civil defence in homes and neighbourhoods. Mass Observation often reversed the direction of the imperative logics that organized civil defence, asking those who occupied positions of power to do what it asked of civilians on the home front.
Biography
PhD Sociology, University of Alberta, 2009
Publications
BOOKS
Forthcoming 2022. The Biopolitics of Care in Second World War Britain. London, New York, Oxford, New Delhi, Sydney: Bloomsbury Press. https://www.bloomsbury.com/ca/biopolitics-of-care-in-second-world-war-britain-9781350106932/
2016. Guerrilla Aesthetics: Art, Memory, and the West German Urban Guerrilla. Montreal, Kingston, London, and Chicago: McGill-Queen's University Press. https://www.mqup.ca/guerrilla-aesthetics-products-9780773546950.php?page_id=73&
ARTICLES/CHAPTERS
2020. The "Last of the Ordinary Sundays": How to Prepare for the Air War. Journal of Historical Sociology 33: e1- e10. https://doi.org/10.1111/johs.12256
2018. "The Sofa's Objection - Troublesome Things and Affective Emplacements," pp. 12-27 in Feelings of Structure: Explorations in Affect. Edited by Karen Engle and Yoke-Sum Wong. McGill-Queen's University Press.
2018. "Solidarity Without Lessons." ArtsEverywhere
Essay under commission from the Musagetes Foundation in response to the 2017 Creative Time Summit in Toronto. http://artseverywhere.ca/roundtables/of-homelands-and-revolution/
2017. "Spatial Deployments to Synchronic Witnessing: Reiterations of Contact in Museum Spaces," pp. 19-37 in Finding Directions West: Readings that Locate and Dislocate Western Canada's Past. Edited by Heather Devine and George Colpitts. University of Calgary Press.
2016. "Participatory Culture and Distributed Expertise: Breaking Down Pedagogical Norms or Regulating Neoliberal Subjectivities?" Journal of Interactive Technology & Pedagogy 9.
2014. "Putting things in their place: The Syncrude Gallery of Aboriginal Culture at the Royal Alberta Museum and the idiom of majority history." In Canadian Literature and Cultural Memory, eds. Cynthia Sugars and Eleanor Ty, 39-52. Don Mills: Oxford University Press.
2013. "Itinerant Memory Places: The Baader-Meinhof-Wagen". In The Inhabited Ruins of Central Europe: Re-imagining Space, History, and Memory, ed. Dariusz Gafijczuk and Derek Sayer, 79-101. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
2012. "Transitory formations and the education of the senses - The intersensorial architectures of the panorama and diorama". Senses and Society 7.1: 53-71
2011. "As autumn turns to winter -- in search of the archive without an address" Journal of Historical Sociology 24.2: 133-154.
2009. "Subjects of Consumption and the 'Alberta Advantage': Representations of Wiebo Ludwig in the theatre and the media, 1997-2005", pp 61-82 in The 'Last Best West': An Exploration of Myth, Identity & Quality of Life in Western Canada. Edited by Anne Gagnon, W.F. Garrett-Petts, James Hoffman et al. Vancouver: New Star Books.
2007. "Objects of my affection -- Joseph Cornell and the corporeal aesthetics of assemblage". Third Text. Critical Perspectives on Contemporary Art & Culture 21.6: 733-744.
2007. "Arrivals and departures in the sensual city - WG Sebald's itineraries of the senses in Austerlitz" The Senses and Society 2.2: 233-246.
Forthcoming 2022. The Biopolitics of Care in Second World War Britain. London, New York, Oxford, New Delhi, Sydney: Bloomsbury Press. https://www.bloomsbury.com/ca/biopolitics-of-care-in-second-world-war-britain-9781350106932/
2016. Guerrilla Aesthetics: Art, Memory, and the West German Urban Guerrilla. Montreal, Kingston, London, and Chicago: McGill-Queen's University Press. https://www.mqup.ca/guerrilla-aesthetics-products-9780773546950.php?page_id=73&
ARTICLES/CHAPTERS
2020. The "Last of the Ordinary Sundays": How to Prepare for the Air War. Journal of Historical Sociology 33: e1- e10. https://doi.org/10.1111/johs.12256
2018. "The Sofa's Objection - Troublesome Things and Affective Emplacements," pp. 12-27 in Feelings of Structure: Explorations in Affect. Edited by Karen Engle and Yoke-Sum Wong. McGill-Queen's University Press.
2018. "Solidarity Without Lessons." ArtsEverywhere
Essay under commission from the Musagetes Foundation in response to the 2017 Creative Time Summit in Toronto. http://artseverywhere.ca/roundtables/of-homelands-and-revolution/
2017. "Spatial Deployments to Synchronic Witnessing: Reiterations of Contact in Museum Spaces," pp. 19-37 in Finding Directions West: Readings that Locate and Dislocate Western Canada's Past. Edited by Heather Devine and George Colpitts. University of Calgary Press.
2016. "Participatory Culture and Distributed Expertise: Breaking Down Pedagogical Norms or Regulating Neoliberal Subjectivities?" Journal of Interactive Technology & Pedagogy 9.
2014. "Putting things in their place: The Syncrude Gallery of Aboriginal Culture at the Royal Alberta Museum and the idiom of majority history." In Canadian Literature and Cultural Memory, eds. Cynthia Sugars and Eleanor Ty, 39-52. Don Mills: Oxford University Press.
2013. "Itinerant Memory Places: The Baader-Meinhof-Wagen". In The Inhabited Ruins of Central Europe: Re-imagining Space, History, and Memory, ed. Dariusz Gafijczuk and Derek Sayer, 79-101. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
2012. "Transitory formations and the education of the senses - The intersensorial architectures of the panorama and diorama". Senses and Society 7.1: 53-71
2011. "As autumn turns to winter -- in search of the archive without an address" Journal of Historical Sociology 24.2: 133-154.
2009. "Subjects of Consumption and the 'Alberta Advantage': Representations of Wiebo Ludwig in the theatre and the media, 1997-2005", pp 61-82 in The 'Last Best West': An Exploration of Myth, Identity & Quality of Life in Western Canada. Edited by Anne Gagnon, W.F. Garrett-Petts, James Hoffman et al. Vancouver: New Star Books.
2007. "Objects of my affection -- Joseph Cornell and the corporeal aesthetics of assemblage". Third Text. Critical Perspectives on Contemporary Art & Culture 21.6: 733-744.
2007. "Arrivals and departures in the sensual city - WG Sebald's itineraries of the senses in Austerlitz" The Senses and Society 2.2: 233-246.
Research Interests
Social theory, historical sociology, cultural studies, critique of biopolitics, aesthetics of communication, art, spatial arrangements.