Notice Board

October 28 | 6 p.m. | Room L1060
Free admission, everyone welcome

This presentation will focus in-depth on some of the strategies for sustainable curating and exhibition design that Burisch has been piloting at the FOFA Gallery – including experiments with sustainable signage, material reuse, and waste reduction.

Nicole Burisch is a curator, critic, and cultural worker. She is a settler of German/Scottish/Irish/English descent, born and raised in amiskwacîwâskahikan (Edmonton) and currently living and working in Tiohtià:ke/Mooniyaang (Montréal). Her work focuses on discourses of craft, feminism, performance, collaboration, labour, and materiality within contemporary art. She has written extensively on contemporary art, craft, and performance art with over 40 published texts in catalogues, magazines, and journals. Her research into curatorial strategies for politically engaged craft practices is included in milestone publications The Craft Reader (Berg) and Extra/ordinary: Craft and Contemporary Art (Duke University Press) and she co-edited The New Politics of the Handmade: Craft, Art, and Design (Berg). Over the course of her career, she has organized dozens of exhibitions and has worked with organizations including the National Gallery of Canada, Centre [3] for Artistic + Social Practice, Leonard & Bina Ellen Art Gallery, Optica, the Museum of Fine Arts, Houston, She Works Flexible, Mentoring Artists for Women's Art, Artexte, Walter Phillips Gallery, The New Gallery, Centre des arts actuels Skol, and the Mountain Standard Time Performative Art Festival. She is currently the Director of the FOFA Gallery at Concordia University.

Image: Exploring Sustainability Across the Arts workshops, 2023, FOFA Gallery, Montreal, QC. Courtesy of the speaker. Photo credit: Laurence Poirier.